
Appraisal: Frances H. Burnett Archive, ca. 1888
Clip: Season 27 Episode 20 | 3m 42sVideo has Closed Captions
Appraisal: Frances H. Burnett Archive, ca. 1888
Watch Martin Gammon appraise a Frances H. Burnett archive, ca. 1888, in Vintage Dallas, Hour 1.
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Funding for ANTIQUES ROADSHOW is provided by Ancestry and American Cruise Lines. Additional funding is provided by public television viewers.

Appraisal: Frances H. Burnett Archive, ca. 1888
Clip: Season 27 Episode 20 | 3m 42sVideo has Closed Captions
Watch Martin Gammon appraise a Frances H. Burnett archive, ca. 1888, in Vintage Dallas, Hour 1.
Problems with Closed Captions? Closed Captioning Feedback
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Learn Moreabout PBS online sponsorshipGUEST: This is all about my great-grandmother, Frances Hodgson Burnett, and she wrote Little Lord Fauntleroy, Secret Garden, and Little Princess, and we just have a little bit of it here today.
APPRAISER: All these items came down from your great-grandmother...
GUEST: Yes, sir.
APPRAISER: ...Frances Hodgson Burnett, a very famous 19th-century author.
GUEST: Yes, sir.
APPRAISER: What can you tell me about this particular item here?
GUEST: It's the first handwritten chapter of Little Lord Fauntleroy, which is the book here, published in 1886.
APPRAISER: You have a copy of the first edition here, which has her signature in it.
Frances Hodgson Burnett, the author's edition.
Sometimes these books are inscribed to persons that are of note and im, importance, and occasionally, you'll have a letter or a fragment of a manuscript after the fact, describing a work.
The most important kind of manuscript is the first draft of an author's first book.
And we have here the beginning of the chapter of the very first book that she published.
Now, Little Lord Fauntleroy, as you probably know, is one of the most important works of 19th-century literature.
Sold over 500,000 copies, and it was also, as I understand it, a rage for little boys to wear the velvet pageboy outfits that Mr. Fauntleroy... Was there a, a real Mr. Fauntleroy, Lord Fauntleroy?
GUEST: Yes, yes.
My grandfather.
APPRAISER: The son of Frances Hodgson Burnett?
GUEST: Yes.
APPRAISER: And did he wear those kinds of outfits?
GUEST: Yes.
And I have those.
APPRAISER: Oh, that's so incredible.
GUEST: Had those... APPRAISER: What can you tell me about some of these other items that you brought in that go with it?
GUEST: Uh, okay, this other piece we really feel is important, too, because she's, um, responsible for the copyright laws that we have.
APPRAISER: What we have here is a certificate with the names of authors from England.
GUEST: Right.
APPRAISER: And as I understand it, an author in London published a theatrical piece based on Little Lord Fauntleroy.
GUEST: Correct, yes.
APPRAISER: And she sued in court.
GUEST: Yes, sir.
APPRAISER: Because this becomes one of the most important precedents in copyright law, you not only have an archive that's significant for its literature, but the whole collection is also important as an archive for establishing copyright law between media.
In the, in 19th century, it was very difficult for authors to protect their work.
Because of this lawsuit, they established a precedent where authors were to receive royalties for other kinds of works.
So, you have here a commemorative piece from those authors.
You have another piece down here, which was a bracelet and ring inscribed from the authors in England.
And later in life, she returned to England, didn't she?
GUEST: Yes, yes.
APPRAISER: She went to, back to Kent.
And what can you tell me about this piece?
GUEST: Where she ended up staying in Kent, she leased a home for nine seasons, and that's where the actual secret garden is today, still.
APPRAISER: This is the guest book for the walk through the Secret Garden.
GUEST: And that's the guest book.
Mm-hmm, yes, sir.
APPRAISER: What I find interesting about this is, a lot of the signatures-- you've taken one out here, which is an inscription from Henry James to her.
GUEST: Mm-hmm.
APPRAISER: We have in the book itself, the signature of Richard Le Gallienne, who was a very important British author of the time.
GUEST: Didn't know that.
APPRAISER: And what's interesting, as well, is that in additional pages, you have the signatures of important publishers-- Scribner's, Heinemann, who are also important in terms of the publishing history.
So what we really have here is a tour de force, in my view.
If you were to, uh, take these pieces individually, they would have relatively low value.
This book on its own, individually, would probably be about $1,000 at auction.
GUEST: Okay.
APPRAISER: And also, uh, this jewelry, I understand, would probably have $3,000 to $5,000 on its own.
GUEST: Mm-hmm.
APPRAISER: But the whole collection together would likely, at auction, have a value of $75,000.
GUEST: Wow, whoa!
Thank you, thank you.
APPRAISER: So, congratulations that you've kept this all together.
It's very, it's very wonderful to see an historic archive held together and surviving in a family like yours.
GUEST: Wonderful.
Yay!
(chuckles)
Appraisal: 1812 Gouache & Watercolor Sampler
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Clip: S27 Ep20 | 1m | Appraisal: 1812 Gouache & Watercolor Sampler (1m)
Appraisal: 1862 Sharps & Hankins Rifle Serial No. 1
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Clip: S27 Ep20 | 3m 15s | Appraisal: 1862 Sharps & Hankins Rifle (3m 15s)
Appraisal: 1877 Japanese Imari Charger
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Clip: S27 Ep20 | 2m 22s | Appraisal: 1877 Japanese Imari Charger (2m 22s)
Appraisal: 1884 Salvatore Pagano Rocking Chair
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Clip: S27 Ep20 | 1m 41s | Appraisal: 1884 Salvatore Pagano Rocking Chair (1m 41s)
Appraisal: 1897 Presentation LeCoultre Chronograph & Box
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Clip: S27 Ep20 | 3m 6s | Appraisal: 1897 Presentation LeCoultre Chronograph & Box (3m 6s)
Appraisal: 1910 Samuel Halpert "The Studio Interior" Oil
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Clip: S27 Ep20 | 2m 58s | Appraisal: Samuel Halpert "The Studio Interior" Oil, ca. 1910 (2m 58s)
Appraisal: 1944 Signed Winston Churchill Photograph
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Clip: S27 Ep20 | 1m 11s | Appraisal: 1944 Signed Winston Churchill Photograph (1m 11s)
Appraisal: Beggs Steam Train Set, ca. 1885
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Clip: S27 Ep20 | 3m 43s | Appraisal: Beggs Steam Train Set, ca. 1885 (3m 43s)
Appraisal: Billy Haines Dining Table, ca. 1953
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Clip: S27 Ep20 | 2m 49s | Appraisal: Billy Haines Dining Table, ca. 1953 (2m 49s)
Appraisal: Cleveland Cycles Poster, ca. 1895
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Clip: S27 Ep20 | 3m 6s | Appraisal: Cleveland Cycles Poster, ca. 1895 (3m 6s)
Appraisal: Clyde Milan Book & Cleveland Baseball Petition
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Clip: S27 Ep20 | 2m 59s | Appraisal: Clyde Milan Scrapbook & Cleveland Baseball Petition (2m 59s)
Appraisal: E. Howard & Co. No. 1 Regulator, ca. 1870
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Clip: S27 Ep20 | 1m 21s | Appraisal: E. Howard & Co. No. 1 Regulator, ca. 1870 (1m 21s)
Appraisal: Knoll Platner Chair, ca. 1980
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Clip: S27 Ep20 | 1m 31s | Appraisal: Knoll Platner Chair, ca. 1980 (1m 31s)
Appraisal: Miniature Hebrew Bible, ca. 1850
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Clip: S27 Ep20 | 2m 9s | Appraisal: Miniature Hebrew Bible, ca. 1850 (2m 9s)
Appraisal: Shoami Katsuyoshi Mixed-metal Group, ca. 1890
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Clip: S27 Ep20 | 2m 47s | Appraisal: Shoami Katsuyoshi Mixed-metal Group, ca. 1890 (2m 47s)
Appraisal: Tiffany Cypriote Glass Vase, ca. 1926
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Clip: S27 Ep20 | 3m 1s | Appraisal: Tiffany Cypriote Glass Vase, ca. 1926 (3m 1s)
Appraisal: Turned Ash Burl Bowl, ca. 1820
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Clip: S27 Ep20 | 3m 1s | Appraisal: Turned Ash Burl Bowl, ca. 1820 (3m 1s)
Appraisal: William H. D. Koerner Oil Illustration, ca. 1935
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Clip: S27 Ep20 | 3m 8s | Appraisal: William H. D. Koerner Oil Illustration, ca. 1935 (3m 8s)
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Funding for ANTIQUES ROADSHOW is provided by Ancestry and American Cruise Lines. Additional funding is provided by public television viewers.